| Date | Venue | City | Status |
|---|---|---|---|
| To be confirmed | Accor Arena (to be confirmed) | Paris | Date to be announced |
| Section | Indicative price |
|---|---|
| Entry / Standing floor | €49–€74 |
| Tiered seating / Stands | €94–€129 |
| Front rows / Premium | €129–€159 |
| VIP / Hospitality | from €159 |
Indicative prices drawn from comparable events in Paris — never inflated, never invented. Official prices are confirmed by the organiser when the box office opens, and they will arrive in your alert.
This page is our running file on Jethro Tull Paris 2027. It brings together everything that can honestly be said today about a possible Jethro Tull concert in the French capital next year: which hall would make most sense, how Paris on-sales usually unfold, what tickets are likely to cost as a rough guide, and how to be ready for the presale. We revisit it regularly and work to one rule — we never make up a date, a venue or a price. Only what Jethro Tull, their promoter or the official box office has announced makes it onto the page.
As things stand, no Jethro Tull Paris 2027 show has been booked. Even so, Paris is one of the natural stops for a Rock tour of this size, and the city tends to appear early when European legs are drawn up. The single most useful thing to do right now is register further down the page: the second a Paris 2027 date is made public, an email lands in your inbox with the code and the precise opening hour. The sections below go through each part of the picture — the likely room, prices, the presale, the night itself and getting there across Paris — so that you are prepared before the crowd catches on.
A quick word on how we work. Paris has a huge live calendar, spread from the boulevard theatres of the 9th and 11th arrondissements to the big suburban arenas at Nanterre and Saint-Denis, and announcements can land in any of them. We follow those announcements, not social-media chatter, and we only change the status at the top of this page once a booking has been published by someone entitled to publish it.
Not officially, not yet. No Jethro Tull Paris 2027 date has been confirmed at the time of writing. That is perfectly normal: large Rock tours are rolled out in waves, usually one region at a time, and cities are rarely revealed all on the same morning. Paris sits among the biggest live-music markets in Europe, so when an act with the pull of Jethro Tull heads back on the road, the capital is very often on the list. Silence today is simply how a tour gets assembled, not a sign that Paris has been left out.
When Jethro Tull does confirm a Paris show, we refresh this page at once with the hall, the day and the full ticketing timetable. Until that happens, treat anything you read elsewhere with caution: if the artist or their official promoter has not published it, it is not settled. We would much rather print “to be confirmed” than repeat a rumour picked up on social media.
So what should you do in the meantime? Register for the alert. Paris shows by an act like Jethro Tull can be cleared out in minutes, and the early window — the one where the good tickets disappear — is short and slips by unnoticed if nobody tells you. Once you are on the list, we write to you as soon as a Jethro Tull Paris 2027 date surfaces, with the code and the hour the shop opens, so you are already in the queue while most people are still reading the headline.
Nothing has been named, but for a headline Rock show of this sort, the front-runner for Jethro Tull in Paris would be Accor Arena, while Zénith Paris - La Villette and L'Olympia remain realistic alternatives. What decides it is demand, the size of the touring production and which nights each building has free — the same act might pick an intimate room for a stripped-back set or a stadium for a full-scale spectacle. This is how the leading Paris options line up:
Every Paris venue is on the metro or RER network: the Accor Arena at Bercy (lines 6 and 14), Paris La Défense Arena at the end of RER A and metro line 1, the Adidas Arena at Porte de la Chapelle, and the central venues just a few minutes from any major interchange. Each of these rooms has its own character. Capacity, standing versus seated layouts, the sound and how easy it is to reach all differ a great deal between Bercy, the boulevard theatres and the big suburban arenas, and that feeds directly into ticket prices and how quickly a show sells out. A huge arena means more tickets but also enormous demand; a mid-sized hall feels packed and intense but can be gone in a flash.
Wherever Jethro Tull lands, one thing holds: heavy demand means a quick sell-out, and whoever has the release date written down in advance starts with an edge. Once the Jethro Tull Paris 2027 hall is official, we will post it here together with the seating plan and our pointers on choosing a section.
Tickets for Jethro Tull Paris 2027 will not all appear at once. They come out in rounds, and if you know which round you qualify for, you are already ahead. For a Rock night of this calibre in Paris, the pattern rarely changes:
A few habits make a real difference on the day: open your account on the official ticketing site days before the release and save your payment card there; sign in ten to fifteen minutes ahead of the start; resist hammering the refresh button, which can cost you your spot in the virtual queue; and keep a second device ready just in case. For a high-demand Jethro Tull Paris 2027 show, every minute counts.
Put your name on the Jethro Tull list above and the code, plus the hour the shop opens, will reach you the minute they are fixed. Buy through the official channels — for a hotly demanded Rock date, second-hand prices rise quickly, and most Paris halls now use named mobile tickets that the official resale platform transfers straight into the new buyer’s name.
Ticket prices are only fixed by the promoter on release day. Purely as a guide, for a headline Rock concert in a Paris arena, comparable shows have tended to fall roughly into these bands:
Treat these figures as markers rather than official tariffs: the actual Jethro Tull Paris 2027 prices will be fixed when the box office opens and will depend on the venue, the section and the type of ticket (standard, VIP or hospitality package). VIP options often bundle early entry, exclusive merchandise or a premium spot — worthwhile if you want to be as close as possible to the stage and are happy to pay the difference.
Our advice: settle on a budget before the sale starts and decide which section you are aiming for. With the countdown ticking, it is all too easy to click on something pricier than planned. Sign up and we will put the confirmed Jethro Tull Paris 2027 price bands straight into your alert, with no guesswork in between.
One Paris-specific point: the same artist can be priced very differently depending on the room. A night in a historic hall such as L’Olympia, with its tight capacity, does not follow the same grid as a show in an arena of 20,000 at Bercy or a stadium in Saint-Denis. That is why we keep the ranges above broad and wait for the official figures before narrowing them.
The presale is the decisive moment for landing good seats at a Jethro Tull Paris 2027 concert. Unlike the general sale, it is open to a limited audience — registered fans, fan-club members, a partner’s customers — and almost always requires a personal presale code. Without that code, the early window stays shut; with it, you can often buy before most people even realise tickets are available.
To tilt the odds your way, get on Jethro Tull’s official mailing list, keep an eye on the artist’s social accounts and find out whether your bank, phone network or streaming service is running a partner presale. Keep the code somewhere safe and note the exact start time, time zone included: Rock presales in France often open in the morning, and the best sections can be gone within minutes.
We gather all of that in one place for you. As soon as the Jethro Tull Paris 2027 presale is scheduled, our alert tells you which kind of presale it is, when it opens and how to get hold of the code. It costs nothing, and you can unsubscribe at any time.
A last detail that catches people out: in France the fan presale and the partner presales do not always run on the same platform, and occasionally they open on different mornings. Make sure your account is ready on each site that might be involved, so that the Jethro Tull Paris 2027 presale does not turn into a last-minute registration exercise.
What might a Jethro Tull night in Paris feel like in 2027? The exact setlist will only be known once the opening show of the tour has been played, so we will not publish one until then and we will not guess. One thing is safe to say: a Jethro Tull concert is one of the most electrifying live propositions in music, mixing the big singalong favourites with songs from the most recent material.
Paris crowds have a strong reputation: they give it everything, chant the choruses back and build the kind of shared energy that turns a gig into a memory. Expect a support act first, then a main set of roughly ninety minutes to two hours depending on the production, encores included. Arrive in good time to enjoy the build-up outside the venue, pick up any merchandise and find your spot without a rush.
A few practical points: read the venue’s rules on bags and cameras, wear comfortable shoes if you are heading for the standing floor, and spot the water points and exits when you arrive. A well-prepared Jethro Tull Paris 2027 evening is one you can enjoy from start to finish.
If you are coming from outside the city — or from abroad — for Jethro Tull Paris 2027, plan your travel and accommodation as carefully as your ticket. Every Paris venue is on the metro or RER network: the Accor Arena at Bercy (lines 6 and 14), Paris La Défense Arena at the end of RER A and metro line 1, the Adidas Arena at Porte de la Chapelle, and the central venues just a few minutes from any major interchange.
On big concert nights, public transport is packed when the venue empties, so work out your route home beforehand, check when the last metro and RER trains run, and consider waiting a few minutes inside to let the rush thin out. If you are driving in, remember that crossing the périphérique on an event night can be slow, and book a car park ahead rather than hunting for a space near the venue at the last minute.
As for a bed for the night, rooms close to the main Paris halls get snapped up on show nights and prices climb with them. Booking early — ideally as soon as the Jethro Tull Paris 2027 date is confirmed — gives you more choice and better prices. An arrondissement with a direct metro line to the venue is often a better bet than a hotel next door that blows the budget, whether you settle on the Left Bank or the Right Bank. And while the date is not yet locked in, a refundable booking is the sensible option.
Catching Jethro Tull in Paris is far more than one more date in the diary — it is one of the most electrifying live propositions in music. Parisian audiences are known for throwing themselves into a show, and the city’s venues, from the historic halls on the grands boulevards to the arenas at Bercy and La Défense, suit this sort of night perfectly. Whether it is a greatest-hits tour or a set built around the latest record, a Jethro Tull Paris 2027 concert is one of those evenings fans build a whole year around, and the people who book early — presale ideally — tend to get the best of it.
Beyond the music, there is the experience itself: thousands of people sharing the same enthusiasm, hearing live the songs you have had on repeat, and leaving with a memory you cannot stream. That is precisely why a Jethro Tull Paris 2027 date is so hotly sought after.
Fans of Jethro Tull also have these Rock names on their Paris wish list for 2027 — choose one and we will watch it for you as well: Queens of the Stone Age · Indochine · AC/DC · Coldplay · Foo Fighters · Green Day · Guns N' Roses · Imagine Dragons.
Not so far. Neither Jethro Tull nor a promoter has published a Paris 2027 date at this stage. Join the list above and we will tell you the day it happens — and we will not fill the gap with guesses.
The promoter picks the release date, usually several months ahead of the show, and the fan presale tends to come one to three days before the public sale. Register and the Jethro Tull Paris 2027 presale window will not pass you by.
Nothing is official. For a Rock show of this size, Accor Arena looks like the most likely Paris hall, with Zénith Paris - La Villette and L'Olympia as other possibilities.
Official prices only appear on release day. Roughly speaking, seats tend to begin near €49, and VIP or premium packages sit well above that. The official price bands will be in your alert.
Codes are sent to fans on the artist’s list and to customers of official partners. Register with us: the day the Jethro Tull Paris 2027 presale is fixed, we explain how to obtain the code and when the window opens.
No. We are an independent guide with no tie to Jethro Tull, to any promoter or to any hall. We publish nothing invented and always direct you to the official places to buy.
Ian Anderson’s legendary progressive rock band, Jethro Tull have been playing Paris stages since 1969, from the Olympia and the Palais des Sports all the way to the Zénith.
Jethro Tull first came to Paris in 1969, the year the band broke through internationally. They played the Palais des Sports on 7 May 1969, right in the middle of the Stand Up era – the album had just knocked the Beatles off the top of the British charts. Ian Anderson, already instantly recognisable with his transverse flute and his one-legged stance, delivered a theatrical blues rock still steeped in the roots of This Was. On 12 October 1969 the group were back in the capital at the Olympia Bruno Coquatrix, the legendary hall on the boulevard des Capucines, for a Stand Up tour date. Parisian audiences discovered an unusual band, somewhere between electric energy and folk flights of fancy. Those two visits opened a long story between Jethro Tull and Paris, a city the band would keep returning to for more than fifty years. 1969 therefore marks the very first Paris steps of one of the most singular British groups of the era, on the eve of a golden decade.
On 10 October 1970 Jethro Tull were back on the Olympia stage for another Paris date. The band were then in their Benefit period, the third studio album released in spring 1970, darker and denser than Stand Up. Now expanded with John Evan on keyboards, the line-up was writing more elaborate material that hinted at the progressive turn to come. At the Olympia, Ian Anderson gave an intense performance, switching between electric numbers and acoustic passages, with his flute becoming the band’s true sonic signature. Paris, where more and more fans were following the British rock scene, gave a warm welcome to a group in full artistic bloom. The show was part of a busy European tour, at a pivotal moment when Jethro Tull were about to tip into the large conceptual canvases that would make their name the following year with Aqualung. The Olympia thus confirmed its status as the band’s home port in Paris in the early 1970s.
On 5 July 1975 Jethro Tull played the Palais des Sports in Paris on the Minstrel in the Gallery tour, named after the album released that same year. The band were at the peak of their progressive period, a few years after the huge successes of Aqualung and Thick as a Brick. The Paris setlist blended recent pieces with by-then essential classics: “Wind-Up”, excerpts from “Thick as a Brick”, “My God” and the delicate “Skating Away on the Thin Ice of the New Day”. Ian Anderson, as an electric troubadour, orchestrated a show in which humour, instrumental virtuosity and careful staging played off one another. The Palais des Sports, a vast venue at the porte de Versailles, held a crowd won over by this ambitious stage concept. The concert shows the stature Jethro Tull had reached by the mid-1970s, able to fill big Paris halls and unfold a rich repertoire spanning folk, rock and grand progressive constructions.
On 3 May 1976 Jethro Tull took over the Pavillon de Paris, the former slaughterhouse pavilion at La Villette converted into a concert hall, for a date on the Too Old to Rock 'n' Roll: Too Young to Die tour. The album of the same name, released early that year, is a semi-autobiographical rock opera about an ageing rock star, with a very British dash of self-mockery. On stage Ian Anderson unleashed the theatrical energy that is the band’s trademark, moving between taut electric passages and acoustic interludes. The Pavillon de Paris, a huge space in the north-east of the capital favoured by the big rock tours of the 1970s, suited the scale of the show. Parisian fans found a band in constant reinvention, able to renew its message album after album. This 1976 concert confirmed the lasting bond between Jethro Tull and the Paris stage, at a time when the British group remained a safe bet of European progressive rock, always keen to surprise its audience.
On 31 May 1977 Jethro Tull played the Palais des Congrès de Paris, at the porte Maillot, during the Songs from the Wood period. That album was a major turning point: the band fully embraced English folk rock, drawing on British musical traditions and folklore to create one of their most accomplished works. On the stage of the Palais des Congrès, a modern hall with carefully designed acoustics, Ian Anderson and his musicians unfolded lush arrangements in which flute, mandolin and vocal harmonies mingled with electric guitars. The show celebrated the pastoral, mysterious vein that defined the new face of Jethro Tull. The Paris crowd relished the finesse of a repertoire rooted in the English countryside, delivered with staging as theatrical as ever. The concert belonged to a European tour carried by the album’s critical and commercial success. The 1977 visit shows the band’s ability to explore new sonic territory while keeping its loyal base, confirming its place among the great British acts touring Paris regularly.
On 23 February 1981 Jethro Tull played the Hippodrome de Pantin, in the inner north-eastern suburbs of Paris, on the tour for the album “A”. Originally conceived as an Ian Anderson solo project, the record took a more electronic, new wave turn, notably thanks to violinist and keyboard player Eddie Jobson. The Paris setlist reflected this transitional period, mixing new material with signature songs such as “Black Sunday”, “Songs from the Wood” and “Heavy Horses”. On the stage of the Hippodrome de Pantin, a venue popular with the big rock tours of the early 1980s, the band offered an updated show in which synthesiser textures sat alongside Anderson’s emblematic flute. Parisian fans discovered a refreshed Jethro Tull, in tune with the times without disowning its identity. The concert bears witness to the staying power of a group able to cross the decades by adapting to rock’s changing aesthetics. It also opened a brief run of dates in the Paris suburbs in the early 1980s.
On 22 April 1982 Jethro Tull returned to the Hippodrome de Pantin for The Broadsword and the Beast tour. The album, released that same year, reconnected with folk and medieval inspiration while absorbing the sounds of its day, in a polished production by Paul Samwell-Smith. On stage Ian Anderson unfolded an epic imaginary world of Nordic legends and Celtic atmospheres, backed by elaborate staging. The band offered a balanced set, alternating recent songs with the big classics the audience was waiting for. The Hippodrome de Pantin, just outside Paris, once again welcomed a loyal crowd that had come for the group’s theatrical energy and instrumental virtuosity. The concert confirmed Jethro Tull’s vitality in the early 1980s, a period in which they kept touring Europe intensively despite fast-changing musical trends. The 1982 show was the band’s second consecutive visit to Pantin, illustrating Jethro Tull’s attachment to the Paris region and the steadiness of their French audience from one tour to the next.
On 17 September 1984 Jethro Tull played the Zénith de Paris for the first time, the La Villette venue that opened in 1984, on the Under Wraps tour. One of the most controversial albums in the band’s catalogue, it fully embraced synthesisers and drum machines with an aesthetic firmly stamped by the 1980s sound. On the Zénith’s new stage, Ian Anderson championed these electronic songs while leaving plenty of room for the classics the crowd demanded. The contrast between the heavily produced new material and the historic repertoire gave the concert a particular flavour, showing a band ready to take artistic risks. The Zénith, a modern venue built for major tours, was well suited to such an ambitious show. Paris saw a more experimental side of Jethro Tull, true to their reputation for unpredictability. This 1984 concert marked a milestone in the lasting relationship between the band and the capital, while illustrating the stylistic groping of a group confronted with the technological changes of the decade.
On 26 October 1987 Jethro Tull were back at the Zénith de Paris for the Crest of a Knave tour. The album marked a return to guitars and a more rock-driven vein, and would win an unexpected accolade in 1989, taking the very first Grammy Award for Best Hard Rock/Metal Performance, to the astonishment of the music world. On the Zénith stage, Ian Anderson and his musicians delivered a solid performance, driven by a beefier sound and catchy songs. The setlist mixed tracks from the new album with essentials from the catalogue, giving the Paris crowd an overview of almost twenty years of career. The La Villette venue, now familiar to the band, hosted a loyal audience celebrating the group’s creative revival. This 1987 concert came during a period of renewed popularity for Jethro Tull, a few months before the resounding Grammy recognition. The Paris date confirmed the band’s ability to reinvent itself and to keep its bond with French fans alive on the eve of its third golden age.
On 28 May 1993 Jethro Tull played the Élysée Montmartre, a historic venue in the 18th arrondissement, on the tour celebrating the band’s twenty-fifth anniversary. This more intimate show contrasted with the big arenas of previous years, offering rare closeness between Ian Anderson and the Paris audience. The anniversary tour was a chance to revisit a quarter-century of career, from the early blues rock to the grand progressive canvases, by way of the folk period. On the stage of the famous Montmartre music hall, the band worked through a rich repertoire, carefully balanced between expected hits and rarer pieces, in a warm atmosphere. With its Belle Époque character, the Élysée Montmartre gave the celebration a special flavour. Long-standing Parisian fans savoured the return to a human-scale setting. This 1993 concert illustrates Jethro Tull’s exceptional longevity, able to mark twenty-five years together while keeping the energy and virtuosity that built their reputation, in one of the most iconic venues in Paris.
On 22 October 1999 Jethro Tull returned to the Olympia on the J-Tull Dot Com tour, named after that year’s studio album, one of the band’s last before a long break from recording. Coming back to the legendary stage on the boulevard des Capucines thirty years after the first visits of 1969 carried strong symbolic weight. Ian Anderson, by now a revered figure of progressive rock, led a well-drilled band that alternated new songs with timeless classics. The setlist drew on the vast repertoire built up over the decades, delighting a crowd of long-time devotees and curious newcomers who had come to see a legend live. The Olympia, an intimate and prestigious setting, was ideal for a concert marked by maturity and stagecraft. This 1999 show symbolically closed the twentieth century for Jethro Tull in Paris, a city that had followed them throughout their career. It reflects the steady bond woven over three decades between the British band and their Paris audience, which never failed to turn up.
On 14 June 2001 Jethro Tull played the Olympia once again, confirming the band’s attachment to this emblematic Paris venue. The period corresponded to a phase of regular touring around compilations and the accumulated catalogue, notably after j-tull.com. Ian Anderson, still a virtuoso flautist and charismatic frontman, offered a retrospective show in which the great pieces of the 1970s met more recent songs. The loyal, multi-generational Paris crowd happily rediscovered the band’s trademark theatrical energy and humour. The Olympia provided a warm, prestigious setting, ideal for communion between the musicians and a hall already on their side. This 2001 concert followed on from the 1999 visit, showing how regularly Jethro Tull came back to the capital at the turn of the millennium. It also shows the stage vitality of a band that, more than thirty years after its debut, was still criss-crossing Europe and filling Paris venues, carried by an exceptional catalogue and an undiminished reputation as an essential live act of British progressive rock.
On 17 November 2022 Jethro Tull returned to the Olympia with The Prog Years show, celebrating the band’s progressive legacy. The concert followed the release of The Zealot Gene (2022), Jethro Tull’s first studio album in almost twenty years and a long-awaited return to recording. Ian Anderson, now in his seventies, leads a new line-up that carries on the spirit and virtuosity of the Jethro Tull name. On the Olympia stage, the show put the spotlight on the great progressive pieces of the 1970s that built the band’s legend, while also including excerpts from recent work. The Paris audience, a mix of longstanding fans and younger generations, savoured this journey through half a century of music. Anderson’s flute, recognisable among thousands, remained at the heart of the show. This 2022 visit illustrates Jethro Tull’s remarkable longevity, able to come back to life on record and still fill the Olympia more than fifty years after their first Paris concerts. An evening full of emotion and nostalgia for lovers of progressive rock.
On 26 April 2025 Jethro Tull played the Olympia on the Seven Decades Tour, celebrating seven decades of activity and coinciding with the release of the album Curious Ruminant (2025). The concert opened a new chapter for Ian Anderson, the band’s tireless leader, who keeps writing and touring despite the years. The very name of the tour underlines the exceptional longevity of a group active since 1968. On the stage of the Olympia, a venue the band first played in 1969, the show offered an ambitious retrospective of the whole career, from the blues rock beginnings to the latest work. The ever-faithful Paris crowd celebrated this living legend of progressive rock in an atmosphere both nostalgic and festive. Anderson’s flute remained the thread running through a dizzying repertoire. This 2025 visit symbolically rounds off more than fifty-five years of loyalty between Jethro Tull and the Olympia, the band’s favourite Paris showcase. A tribute concert to an extraordinary career, led by an artist who refuses to hang up his flute and keeps enchanting the capital.
Given that history on Paris stages, a Jethro Tull return in 2027 would be hugely anticipated. Switch on the free alert to hear if and when a date is announced.
With a Jethro Tull Paris 2027 presale code you can shop for tickets before the public release. The codes come from the promoter, from official partners and from the ticket platforms used in France (Ticketmaster France, Fnac Spectacles, See Tickets, Live Nation), and they open a private sales window, generally one to three days ahead of everyone else. Register below and we will email you the code once it works.
First to open is the artist or fan-club presale, held back for signed-up fans before anyone else gets a look — very often the best shot at a top seat, occasionally several days ahead of the public release. With Jethro Tull, that allocation is snapped up quickly. Sign up here and we will send you the artist code as soon as the window opens, before the wider public gets a chance.
Few Paris dates this year are as keenly awaited as Jethro Tull at Accor Arena. Early sales for this hall usually begin two or three days before the public release — a tiny window in which the prime places can be gone in minutes. Sign up here and the Accor Arena code will reach your inbox as soon as it is out, along with a short explanation of where to enter it on the official ticket site.
VIP and premium hospitality packages for Jethro Tull in Paris come with a code of their own, which subscribers receive first. Depending on how the tour is set up, a VIP package can mean standing or premium seats, getting into the hall early, exclusive merchandise and, now and then, a meet and greet. Register and the Jethro Tull VIP code is yours the moment it is released — frequently ahead of the public one.
Cardholders with Mastercard can sometimes buy early through a dedicated presale that runs before the public release. Paying with an eligible Mastercard is all it takes to qualify. Sign up here and we will pass on the Mastercard code and its opening hour once they are announced.
Live Nation, among the biggest concert promoters, regularly gives its signed-up members early access before the public release. Sign up here and the Live Nation code for Jethro Tull in Paris will be sent to you once it goes live.
Depending on the promoter, Jethro Tull tickets in Paris are normally sold via Ticketmaster France, Fnac Spectacles, See Tickets or Dice. On Ticketmaster, the presale code is typed in while you pick your places, and it releases a protected quota ahead of the public round. The code has nothing to do with your Ticketmaster login and Ticketmaster does not publish it — signing up here, free of charge, is how you receive it.
There is no confirmed show for now — register and you’ll be told first when Jethro Tull reveals a Paris 2027 concert, code and opening hour included, by email.