| Date | Venue | City | Status |
|---|---|---|---|
| To be confirmed | Accor Arena (to be confirmed) | Paris | Date to be announced |
| Section | Indicative price |
|---|---|
| Entry / Standing floor | €45–€70 |
| Tiered seating / Stands | €90–€125 |
| Front rows / Premium | €125–€155 |
| VIP / Hospitality | from €155 |
Indicative prices drawn from comparable events in Paris — never inflated, never invented. Official prices are confirmed by the organiser when the box office opens, and they will arrive in your alert.
This page is our running file on Metallica Paris 2027. It brings together everything that can honestly be said today about a possible Metallica concert in the French capital next year: which hall would make most sense, how Paris on-sales usually unfold, what tickets are likely to cost as a rough guide, and how to be ready for the presale. We revisit it regularly and work to one rule — we never make up a date, a venue or a price. Only what Metallica, their promoter or the official box office has announced makes it onto the page.
As things stand, no Metallica Paris 2027 show has been booked. Even so, Paris is one of the natural stops for a Metal tour of this size, and the city tends to appear early when European legs are drawn up. The single most useful thing to do right now is register further down the page: the second a Paris 2027 date is made public, an email lands in your inbox with the code and the precise opening hour. The sections below go through each part of the picture — the likely room, prices, the presale, the night itself and getting there across Paris — so that you are prepared before the crowd catches on.
A quick word on how we work. Paris has a huge live calendar, spread from the boulevard theatres of the 9th and 11th arrondissements to the big suburban arenas at Nanterre and Saint-Denis, and announcements can land in any of them. We follow those announcements, not social-media chatter, and we only change the status at the top of this page once a booking has been published by someone entitled to publish it.
Not officially, not yet. No Metallica Paris 2027 date has been confirmed at the time of writing. That is perfectly normal: large Metal tours are rolled out in waves, usually one region at a time, and cities are rarely revealed all on the same morning. Paris sits among the biggest live-music markets in Europe, so when an act with the pull of Metallica heads back on the road, the capital is very often on the list. Silence today is simply how a tour gets assembled, not a sign that Paris has been left out.
When Metallica does confirm a Paris show, we refresh this page at once with the hall, the day and the full ticketing timetable. Until that happens, treat anything you read elsewhere with caution: if the artist or their official promoter has not published it, it is not settled. We would much rather print “to be confirmed” than repeat a rumour picked up on social media.
So what should you do in the meantime? Register for the alert. Paris shows by an act like Metallica can be cleared out in minutes, and the early window — the one where the good tickets disappear — is short and slips by unnoticed if nobody tells you. Once you are on the list, we write to you as soon as a Metallica Paris 2027 date surfaces, with the code and the hour the shop opens, so you are already in the queue while most people are still reading the headline.
Nothing has been named, but for a headline Metal show of this sort, the front-runner for Metallica in Paris would be Accor Arena, while Zénith Paris - La Villette and Le Bataclan remain realistic alternatives. What decides it is demand, the size of the touring production and which nights each building has free — the same act might pick an intimate room for a stripped-back set or a stadium for a full-scale spectacle. This is how the leading Paris options line up:
Every Paris venue is on the metro or RER network: the Accor Arena at Bercy (lines 6 and 14), Paris La Défense Arena at the end of RER A and metro line 1, the Adidas Arena at Porte de la Chapelle, and the central venues just a few minutes from any major interchange. Each of these rooms has its own character. Capacity, standing versus seated layouts, the sound and how easy it is to reach all differ a great deal between Bercy, the boulevard theatres and the big suburban arenas, and that feeds directly into ticket prices and how quickly a show sells out. A huge arena means more tickets but also enormous demand; a mid-sized hall feels packed and intense but can be gone in a flash.
Wherever Metallica lands, one thing holds: heavy demand means a quick sell-out, and whoever has the release date written down in advance starts with an edge. Once the Metallica Paris 2027 hall is official, we will post it here together with the seating plan and our pointers on choosing a section.
Tickets for Metallica Paris 2027 will not all appear at once. They come out in rounds, and if you know which round you qualify for, you are already ahead. For a Metal night of this calibre in Paris, the pattern rarely changes:
A few habits make a real difference on the day: open your account on the official ticketing site days before the release and save your payment card there; sign in ten to fifteen minutes ahead of the start; resist hammering the refresh button, which can cost you your spot in the virtual queue; and keep a second device ready just in case. For a high-demand Metallica Paris 2027 show, every minute counts.
Put your name on the Metallica list above and the code, plus the hour the shop opens, will reach you the minute they are fixed. Buy through the official channels — for a hotly demanded Metal date, second-hand prices rise quickly, and most Paris halls now use named mobile tickets that the official resale platform transfers straight into the new buyer’s name.
Ticket prices are only fixed by the promoter on release day. Purely as a guide, for a headline Metal concert in a Paris arena, comparable shows have tended to fall roughly into these bands:
Treat these figures as markers rather than official tariffs: the actual Metallica Paris 2027 prices will be fixed when the box office opens and will depend on the venue, the section and the type of ticket (standard, VIP or hospitality package). VIP options often bundle early entry, exclusive merchandise or a premium spot — worthwhile if you want to be as close as possible to the stage and are happy to pay the difference.
Our advice: settle on a budget before the sale starts and decide which section you are aiming for. With the countdown ticking, it is all too easy to click on something pricier than planned. Sign up and we will put the confirmed Metallica Paris 2027 price bands straight into your alert, with no guesswork in between.
One Paris-specific point: the same artist can be priced very differently depending on the room. A night in a historic hall such as L’Olympia, with its tight capacity, does not follow the same grid as a show in an arena of 20,000 at Bercy or a stadium in Saint-Denis. That is why we keep the ranges above broad and wait for the official figures before narrowing them.
The presale is the decisive moment for landing good seats at a Metallica Paris 2027 concert. Unlike the general sale, it is open to a limited audience — registered fans, fan-club members, a partner’s customers — and almost always requires a personal presale code. Without that code, the early window stays shut; with it, you can often buy before most people even realise tickets are available.
To tilt the odds your way, get on Metallica’s official mailing list, keep an eye on the artist’s social accounts and find out whether your bank, phone network or streaming service is running a partner presale. Keep the code somewhere safe and note the exact start time, time zone included: Metal presales in France often open in the morning, and the best sections can be gone within minutes.
We gather all of that in one place for you. As soon as the Metallica Paris 2027 presale is scheduled, our alert tells you which kind of presale it is, when it opens and how to get hold of the code. It costs nothing, and you can unsubscribe at any time.
A last detail that catches people out: in France the fan presale and the partner presales do not always run on the same platform, and occasionally they open on different mornings. Make sure your account is ready on each site that might be involved, so that the Metallica Paris 2027 presale does not turn into a last-minute registration exercise.
What might a Metallica night in Paris feel like in 2027? The exact setlist will only be known once the opening show of the tour has been played, so we will not publish one until then and we will not guess. One thing is safe to say: a Metallica concert is a relentless, fiercely intense set in front of a crowd that gives absolutely everything, mixing the big singalong favourites with songs from the most recent material.
Paris crowds have a strong reputation: they give it everything, chant the choruses back and build the kind of shared energy that turns a gig into a memory. Expect a support act first, then a main set of roughly ninety minutes to two hours depending on the production, encores included. Arrive in good time to enjoy the build-up outside the venue, pick up any merchandise and find your spot without a rush.
A few practical points: read the venue’s rules on bags and cameras, wear comfortable shoes if you are heading for the standing floor, and spot the water points and exits when you arrive. A well-prepared Metallica Paris 2027 evening is one you can enjoy from start to finish.
If you are coming from outside the city — or from abroad — for Metallica Paris 2027, plan your travel and accommodation as carefully as your ticket. Every Paris venue is on the metro or RER network: the Accor Arena at Bercy (lines 6 and 14), Paris La Défense Arena at the end of RER A and metro line 1, the Adidas Arena at Porte de la Chapelle, and the central venues just a few minutes from any major interchange.
On big concert nights, public transport is packed when the venue empties, so work out your route home beforehand, check when the last metro and RER trains run, and consider waiting a few minutes inside to let the rush thin out. If you are driving in, remember that crossing the périphérique on an event night can be slow, and book a car park ahead rather than hunting for a space near the venue at the last minute.
As for a bed for the night, rooms close to the main Paris halls get snapped up on show nights and prices climb with them. Booking early — ideally as soon as the Metallica Paris 2027 date is confirmed — gives you more choice and better prices. An arrondissement with a direct metro line to the venue is often a better bet than a hotel next door that blows the budget, whether you settle on the Left Bank or the Right Bank. And while the date is not yet locked in, a refundable booking is the sensible option.
Catching Metallica in Paris is far more than one more date in the diary — it is a relentless, fiercely intense set in front of a crowd that gives absolutely everything. Parisian audiences are known for throwing themselves into a show, and the city’s venues, from the historic halls on the grands boulevards to the arenas at Bercy and La Défense, suit this sort of night perfectly. Whether it is a greatest-hits tour or a set built around the latest record, a Metallica Paris 2027 concert is one of those evenings fans build a whole year around, and the people who book early — presale ideally — tend to get the best of it.
Beyond the music, there is the experience itself: thousands of people sharing the same enthusiasm, hearing live the songs you have had on repeat, and leaving with a memory you cannot stream. That is precisely why a Metallica Paris 2027 date is so hotly sought after.
Fans of Metallica also have these Metal names on their Paris wish list for 2027 — choose one and we will watch it for you as well: Iron Maiden · Rammstein · Slipknot · While She Sleeps · Deep Purple · Judas Priest · Def Leppard · Bring Me the Horizon.
Not so far. Neither Metallica nor a promoter has published a Paris 2027 date at this stage. Join the list above and we will tell you the day it happens — and we will not fill the gap with guesses.
The promoter picks the release date, usually several months ahead of the show, and the fan presale tends to come one to three days before the public sale. Register and the Metallica Paris 2027 presale window will not pass you by.
Nothing is official. For a Metal show of this size, Accor Arena looks like the most likely Paris hall, with Zénith Paris - La Villette and Le Bataclan as other possibilities.
Official prices only appear on release day. Roughly speaking, seats tend to begin near €45, and VIP or premium packages sit well above that. The official price bands will be in your alert.
Codes are sent to fans on the artist’s list and to customers of official partners. Register with us: the day the Metallica Paris 2027 presale is fixed, we explain how to obtain the code and when the window opens.
No. We are an independent guide with no tie to Metallica, to any promoter or to any hall. We publish nothing invented and always direct you to the official places to buy.
Metallica’s relationship with Paris spans more than four decades, from small clubs and the Zénith in the 1980s to stadiums (Parc des Princes, Stade de France), with many dates at Bercy along the way. Here is the verified history, year by year.
1984 marked Metallica’s Paris debut. On 9 February 1984, the band played the Espace Balard, supporting Venom on the “Seven Dates of Hell” European tour. It was one of the band’s very first concerts in Europe, in the era of the album “Kill 'Em All” and the classic line-up with bassist Cliff Burton, then completely unknown to the wider French public. Metallica returned to the Espace Balard on 18 November 1984, this time to promote their second album “Ride the Lightning”, released a few months earlier and regarded as a major milestone of thrash metal. Between those two dates, the band also made an appearance in the Paris region over the summer (late August 1984). Played to still modest crowds, these 1984 concerts laid the foundations of Metallica’s relationship with the French audience, which would keep growing over the decades and take the band from Paris clubs all the way to the Stade de France.
On 5 February 1987, Metallica played the Zénith de Paris, reaching a new level in French venues. The concert extended the “Damage, Inc.” tour, launched in 1986 to promote the cult album “Master of Puppets”, one of the absolute peaks of thrash metal. The context, however, was unusual and painful: founding bassist Cliff Burton had died in a bus accident in Sweden in September 1986, and Jason Newsted was now on bass. This Zénith show was therefore one of the band’s first Paris appearances with its new line-up, in front of an ever larger and more loyal French crowd. Metallica confirmed their growing power and their ability to fill venues far bigger than the clubs of 1984. The Zénith concert captures the band’s shift from the underground thrash scene to international headliner status, just a few years before the worldwide triumph of the “Black Album”.
Metallica returned to the Zénith de Paris on 31 October 1988, Halloween night, on the Damaged Justice tour. The band were promoting their fourth studio album, “...And Justice for All”, released in September 1988, an ambitious, complex record of long compositions that also gave them “One”, their first real hit and first music video. The tour was famous for its spectacular staging, dominated by a huge statue of Justice (“Lady Justice”) that collapsed on stage during the show. The 1988 Paris date confirmed Metallica’s foothold in France’s large venues and their widening audience, on the eve of the commercial explosion to come. In front of a delighted Zénith crowd, the band played an increasingly rich set, mixing early thrash scorchers with the more elaborate compositions of “...And Justice for All”. It was the band’s last Paris appearance before the “Black Album” era and the change of scale of the 1990s.
On 21 May 1990, Metallica played the Palais Omnisports de Paris-Bercy (POPB) for the first time, the big arena that would become their Paris base for decades to come. The concert came at a pivotal moment in the band’s career: the “Damaged Justice” tour was drawing to a close and Metallica were about to go into the studio to record the album that would change their stature for good, 1991’s “Metallica” (known as the “Black Album”). Playing Bercy, one of the largest indoor venues in the capital, showed the status the band had by then gained in France, having gone in a few years from the clubs of the Espace Balard to arenas. In front of a large Paris crowd, Metallica played a set dominated by songs from “Master of Puppets” and “...And Justice for All”. This first Bercy show opened a long series of concerts at the 12th-arrondissement venue, where the band would return many times throughout the 1990s and 2000s.
On 21 September 1991, Metallica played the Hippodrome de Vincennes, in the Paris region, at a big open-air event. The concert came just weeks after the release, on 12 August 1991, of the “Black Album” (“Metallica”), the record that transformed the band’s career and made them global superstars. Driven by songs that became standards, such as “Enter Sandman”, “The Unforgiven”, “Nothing Else Matters” and “Sad But True”, the album sold tens of millions of copies and opened the doors of the world’s biggest stadiums and festivals. The Vincennes concert was part of that conquest, in front of a huge open-air crowd. It shows the immediate change of scale brought by the “Black Album”: months after a Bercy date, Metallica were now filling outdoor spaces in the Paris region, confirming their status as headliners able to draw an audience far beyond thrash metal fans.
Metallica returned to the Palais Omnisports de Paris-Bercy on 10 November 1992, on the Wherever We May Roam world tour that followed the triumph of the “Black Album”. At that point, the band were at the height of their popularity: carried by the hits “Enter Sandman”, “Nothing Else Matters” and “The Unforgiven”, they were playing one sold-out show after another around the world. The November 1992 Bercy date drew a massive Paris crowd eager to share the anthems of the band’s best-selling album, as well as the early thrash classics. The tour’s staging, with its immersive stage and lighting, left a lasting impression on audiences. The concert confirmed Bercy as Metallica’s main Paris venue in the 1990s, with the 12th-arrondissement arena hosting the band regularly on every tour. In front of a packed arena, Metallica showed they had become one of the most powerful and popular rock bands of the decade.
On 13 June 1993, Metallica played the Hippodrome de Vincennes again, for a big open-air concert in the Paris region. The date was part of the long “Black Album” world tour, which kept the band on the road for nearly three years. By 1993, Metallica were firmly established as international superstars, able to fill stadiums, arenas and large outdoor sites. The midsummer Vincennes concert drew a huge crowd to celebrate songs that had become essential to the band’s repertoire (“Enter Sandman”, “Sad But True”, “Nothing Else Matters”) alongside thrash classics from the early albums. It was the band’s second visit to the Hippodrome de Vincennes in less than two years, a sign of Metallica’s lasting pull with Île-de-France audiences during this golden period. The concert closed the great “Black Album” cycle on the Paris side, before the band came back to Bercy a few years later to promote their more experimental albums “Load” and “Reload”.
Metallica took over the Palais Omnisports de Paris-Bercy two nights running, on 15 and 16 September 1996, on the Poor Touring Me tour. The band were promoting “Load”, released in 1996 and marking a major aesthetic and musical shift: a move towards bluesier hard rock, a new image (short hair, a more alternative look) and cover art by Andres Serrano. This change of direction, controversial among thrash purists, did nothing to dent the band’s appeal, as they filled Bercy on two consecutive nights. The two Paris concerts showed Metallica’s commercial power in the mid-1990s, when they dominated the global rock scene. On stage, the band mixed new songs from “Load” with timeless classics, in ambitious staging. These two sold-out dates confirmed Bercy as Metallica’s true Paris stronghold, with the venue now hosting the band for multi-night residencies on every major tour.
On 18 November 1997, Metallica went back to the intimacy of clubs by playing the Élysée Montmartre, a human-sized Paris venue far removed from the arenas the band usually filled. The concert belonged to the “Reload” period, with the album “ReLoad” coming out that very month, November 1997, as a follow-up to “Load”. Small-venue shows like this, much loved by fans, gave the band a rare closeness with their audience and an electric atmosphere, very different from the big-room experience. For Paris fans, seeing Metallica in a space as small as the Élysée Montmartre was an exceptional event, given that the band were then used to venues holding several thousand. The date reflects the band’s wish, in the late 1990s, to alternate big shows and more low-key concerts to keep in touch with their fanbase. It stands in sharp contrast to the Bercy residencies and stadiums, and remains one of the most memorable Paris concerts for the band’s followers.
On 7 July 1999, Metallica returned to the Palais Omnisports de Paris-Bercy on the Garage Remains the Same tour, linked to the covers album “Garage Inc.” released in late 1998. The double album paid tribute to the band’s influences (NWOBHM, punk, hard rock) with covers of Diamond Head, Motörhead, Thin Lizzy and Black Sabbath, while also collecting B-sides and rarities. The 1999 Paris concert therefore mixed these reworked covers with classics from the repertoire, offering a show that was both familiar and unusual. This Bercy date extended the band’s long series of concerts at the 12th-arrondissement venue through the 1990s. It came shortly after the landmark symphonic project “S&M” with the San Francisco Symphony Orchestra, recorded in April 1999. In front of a loyal Paris crowd, Metallica confirmed, on the cusp of the 2000s, their status as a safe bet for France’s big venues, a few months before a new decade in which the band would go through deep internal upheaval.
On 9 December 2003, Metallica played the Palais Omnisports de Paris-Bercy on the Madly in Anger with the World tour, supporting the album “St. Anger”, released in June 2003. Raw and abrasive, the record marked a return to open aggression after the experiments of the 1990s, against a particularly tense internal backdrop: the band had just come through a major crisis, including the departure of bassist Jason Newsted and singer James Hetfield’s stint in rehab, documented in the film “Some Kind of Monster”. New bassist Robert Trujillo, who joined in 2003, played with the band at this Paris concert. In front of a packed Bercy, Metallica played new songs from “St. Anger” alongside their timeless classics. This late-2003 show illustrates the band’s resilience, able to bounce back from a troubled period and return to France’s big arenas. It opened a new cycle that would see Metallica play a Paris stadium a few months later.
On 23 June 2004, Metallica crossed a symbolic threshold in Paris by playing the Parc des Princes, the big stadium in the west of the city, on the Madly in Anger with the World tour (“St. Anger”). Staged as a major open-air metal event, the concert featured a prestigious bill including Slipknot and Slayer, giving the Île-de-France crowd a full day of extreme music in a ground usually devoted to football. For Metallica, playing the Parc des Princes was a new step in the change of scale that began with the “Black Album”: after the clubs, the Zénith and many Bercy dates, the band were now moving into Paris stadiums. The set list mixed songs from “St. Anger” with the essential anthems of their repertoire (“Master of Puppets”, “One”, “Enter Sandman”, “Seek & Destroy”). This 2004 concert confirmed Metallica’s stature as one of the biggest rock bands in the world and foreshadowed their later Stade de France shows in the 2010s and 2020s.
On 1 and 2 April 2009, Metallica took over the Palais Omnisports de Paris-Bercy two nights running, on the vast World Magnetic tour linked to the album “Death Magnetic”, released in 2008. Hailed by critics and fans, the record marked a return to their roots, with longer, more technical and furious metal, rekindling the spirit of their great 1980s albums. The World Magnetic tour, one of the longest and most lucrative in the band’s history, stood out for its central 360-degree stage, placing the musicians in the middle of the crowd. The two sold-out Paris concerts confirmed the band’s renewed popularity and their status as headliners able to fill Bercy several nights in a row. On stage, Metallica played a monumental set spanning their whole career, from the scorchers of “Kill 'Em All” to new songs from “Death Magnetic”. These two 2009 dates rank among the most memorable in the band’s long history at Bercy, a venue they had played a great many times since 1990.
On 12 May 2012, Metallica played the Stade de France in Saint-Denis for the first time, taking their relationship with Paris to a new level. The giant concert was part of the European Black Album Tour, celebrating the twentieth anniversary of 1991’s “Metallica” (the “Black Album”). The concept was spectacular: the band played the cult album in full, but in reverse, starting with the last track and finishing with “Enter Sandman”, rounded off by a selection of classics. In front of a crowd estimated at around 75,000, Metallica delivered one of their greatest Paris concerts ever, turning the national stadium into a huge metal communion. The event confirmed the band’s stature, now able to fill France’s largest stadium more than twenty-five years after their start in Paris clubs. The 2012 Stade de France concert remains a high point in the band’s French history, celebrating the album that made Metallica a global phenomenon and paving the way for their later returns to the same stadium.
On 8 and 10 September 2017, Metallica played two nights at the AccorHotels Arena in Bercy (the former Palais Omnisports, renamed in 2015), on the WorldWired world tour. The band were promoting “Hardwired... to Self-Destruct”, their tenth studio album released in late 2016, hailed as a powerful comeback and driven by songs such as “Hardwired”, “Moth Into Flame” and “Atlas, Rise!”. The tour’s production was spectacular, with moving screens, drones and pyrotechnics, a show built for big arenas. The two sold-out Paris concerts confirmed the loyalty of the French audience and Metallica’s undiminished status as one of the greatest live bands on the planet, more than thirty years after their debut. On stage, the band alternated new songs from “Hardwired” with the essential anthems of their repertoire, in a set list sweeping across their whole career. This 2017 return to Bercy, the venue that had been their Paris stronghold since 1990, came shortly before their big Stade de France concert in 2019.
On 12 May 2019, Metallica returned to the Stade de France in Saint-Denis, seven years to the day after their historic 2012 concert, again on the WorldWired tour linked to the album “Hardwired... to Self-Destruct”. This new stadium show confirmed the band’s ability to fill France’s largest stadium, in front of several tens of thousands of people. The spectacular, immersive production rolled out the tour’s full stage arsenal: giant screens, lighting, pyrotechnics and a stage designed for the vastness of the stadium. The set list mixed recent songs from “Hardwired” with timeless classics (“Master of Puppets”, “One”, “Nothing Else Matters”, “Enter Sandman”), for a marathon concert celebrating more than thirty-five years together. This 2019 show illustrates Metallica’s exceptional longevity and the strength of their bond with the French audience, which has followed them from the clubs of the 1980s to the Stade de France. It came before the long M72 tour that would bring the band back to the same stadium in the early 2020s.
On 17 and 19 May 2023, Metallica played two concerts at the Stade de France in Saint-Denis on their vast M72 World Tour, launched to promote the album “72 Seasons” (April 2023). The Paris dates were built on the novel “No Repeat Weekend” concept: in each city, the band played two separate nights, with two completely different set lists and two different support line-ups, encouraging fans to attend both. In Paris, the first night was opened by Five Finger Death Punch and Ice Nine Kills, the second by Architects and Mammoth WVH. Equally innovative, the staging was built around a circular stage with several towers (the “Snake Pit” in the centre), placing the audience at the heart of the set-up. Four decades after the band’s debut at the Espace Balard, these two Stade de France concerts confirmed the Paris audience’s lasting attachment and Metallica’s undiminished vitality on stage. To date, they are the band’s most recent verified Paris concerts, extending an unbroken history that began in 1984.
Given that history on Paris stages, a Metallica return in 2027 would be hugely anticipated. Switch on the free alert to hear if and when a date is announced.
With a Metallica Paris 2027 presale code you can shop for tickets before the public release. The codes come from the promoter, from official partners and from the ticket platforms used in France (Ticketmaster France, Fnac Spectacles, See Tickets, Live Nation), and they open a private sales window, generally one to three days ahead of everyone else. Register below and we will email you the code once it works.
First to open is the artist or fan-club presale, held back for signed-up fans before anyone else gets a look — very often the best shot at a top seat, occasionally several days ahead of the public release. With Metallica, that allocation is snapped up quickly. Sign up here and we will send you the artist code as soon as the window opens, before the wider public gets a chance.
Few Paris dates this year are as keenly awaited as Metallica at Accor Arena. Early sales for this hall usually begin two or three days before the public release — a tiny window in which the prime places can be gone in minutes. Sign up here and the Accor Arena code will reach your inbox as soon as it is out, along with a short explanation of where to enter it on the official ticket site.
VIP and premium hospitality packages for Metallica in Paris come with a code of their own, which subscribers receive first. Depending on how the tour is set up, a VIP package can mean standing or premium seats, getting into the hall early, exclusive merchandise and, now and then, a meet and greet. Register and the Metallica VIP code is yours the moment it is released — frequently ahead of the public one.
Cardholders with Mastercard can sometimes buy early through a dedicated presale that runs before the public release. Paying with an eligible Mastercard is all it takes to qualify. Sign up here and we will pass on the Mastercard code and its opening hour once they are announced.
Live Nation, among the biggest concert promoters, regularly gives its signed-up members early access before the public release. Sign up here and the Live Nation code for Metallica in Paris will be sent to you once it goes live.
Depending on the promoter, Metallica tickets in Paris are normally sold via Ticketmaster France, Fnac Spectacles, See Tickets or Dice. On Ticketmaster, the presale code is typed in while you pick your places, and it releases a protected quota ahead of the public round. The code has nothing to do with your Ticketmaster login and Ticketmaster does not publish it — signing up here, free of charge, is how you receive it.
There is no confirmed show for now — register and you’ll be told first when Metallica reveals a Paris 2027 concert, code and opening hour included, by email.